The increasingly prevalent use of AI technology has shifted the cultural politics of emotion. On the one hand, AI has instigated new models of collective belonging and radical joy for traditionally marginalized subjects. On the other, the use of AI to surveil, map, and commodify an entire panoply of physiological markers and body language has resulted in politically fraught and oftentimes violent modes of subjectivization. Addressing the nexus of technology and affect within AI ecosystems, the AI & Affect panel brings together artists and theorists to discuss how AI can help highlight digital prejudices and biases, reconceptualize the politics of identity, and build more equitable digital futures, among other topics.
Panelists:



Moderator:
Dawn Chan is a writer and curator whose work appears in print and/or online in Artforum, the Atlantic, Bookforum, the New York Times, the New Yorker, the Paris Review, and the Village Voice, among other publications. She is the winner of a 2018 Thoma Foundation art writing award in digital art, and a 2018 Warhol Arts Writers Grant.
Organizers:
Helena Shaskevich is a Ph.D. candidate in Art History at the Graduate Center. She is currently writing her dissertation on biopolitics in feminist video art during the 1970s and building a digital archive of the New York Women’s Video Festivals.
Aubrey Knox is a Ph.D. candidate in Art History at The Graduate Center. Aubrey’s research explores the interdependency of art and medicine through the transformation of the Grand Palais into a military hospital in World War I.