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DTSTART;VALUE=DATE:20240809
DTEND;VALUE=DATE:20240810
DTSTAMP:20240813T163208Z
CREATED:20240417T183547Z
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UID:1496-1723161600-1723247999@artscienceconnect.gc.cuny.edu
SUMMARY:AI Symposium: Call for Papers
DESCRIPTION:How is AI Changing Art and the Humanities and To What Ends? \nGenerative AI (GenAI) is at the forefront of emerging AI technologies that are rapidly transforming the humanities\, the arts\, education\, and the cultural economies of many societies worldwide.  It is fundamentally changing how we write\, research\, make art\, teach and learn\, and perform tasks in the workplace\, and yet we know little about where this might lead us.  This symposium will provide an opportunity to discuss the application of generative AI in the humanities\, the arts\, the University\, and in technology industries. How does AI challenge what we know about the humanities and creative arts? How does it work in the lecture theatre and seminar\, and how is it transforming research methods? Does it posit new modes of human-machine collaboration? What are the ethical implications of AI learning\, and what does it mean to “translate” human cognition and creativity? \nArt Science Connect invites submissions from faculty\, staff\, and students for a symposium to explore the significance and influence of recent developments in AI in and on their work. \nWe seek papers\, presentations and other presentational formats on the topic\, including (but not limited to) the following: \n\nHow should we think about credit in AI collaborations?\nIs AI art Theft? The history of AI art.\nWhere does the creative and intellectual property that feeds AI come from?\nCan computers be creative?\nDoes AI art have aura?\nAlgorithmic bias in AI learning\nIssues surrounding deep fakes\nAI and the attention economy\, and the desire for immersive experiences\nResearch: going deep and close readings or multiple sites\, frames and contexts\nHow artists\, poets\, and composers are engaging with AI\nA discussion between techno-optimists and de-accelerationists on the future of AI\nThe relationship between natural language processing and translation\nWhat does it mean to be human in an increasingly posthuman era?\nArt and industry from BIPOC creators\nAI and Immersive Technologies (XR) that are transforming the meaning of liveness\nHow do we use AI in the lecture theatre and seminar; how are students using AI\nArchives\, research methods. and the future of data\n\nHow to Apply:  \nPlease email your abstract and a brief CV to Helen Koh\, Director of Art Science Connect\, by August 9\, 2024. hkoh@gc.cuny.edu. Also indicate a date of preference between October 21 and November 1. \nSymposium Dates: \nWe will choose a date between October 21 and November 1\, 2024. Topics or panels that fall outside the date chosen may be considered for a stand-alone program during the fall semester. \nHonorariums will be paid to presenters. Transportation and\, in some cases\, accommodation can also be provided. The symposium will be in person\, free and open to the GC and NYC university communities along with the general public. If you have questions\, please contact Helen Koh hkoh@gc.cuny.edu.
URL:https://artscienceconnect.gc.cuny.edu/event/ai-symposium-call-for-papers/
LOCATION:NY
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240828T180000
DTEND;TZID=UTC:20240828T200000
DTSTAMP:20260321T185418Z
CREATED:20240813T160851Z
LAST-MODIFIED:20260321T185418Z
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SUMMARY:An Evening of Music and AI Collaboration with George Lewis
DESCRIPTION:On August 28\, ASC presents the opening event for our 2024 AI Symposium (October 29-30): An Evening of Music and AI Composition with George Lewis. This presentation will include a conversation with Lewis and author Adam Shatz. \nLewis is widely regarded as a pioneer in the creation of computer programs that improvise in concert with human musicians. He started composing with AI in the 1980s. His central areas of scholarship include the history and criticism of experimental music\, computer music\, interactive media\, and improvisation\, particularly in relation to race and gender. He will perform with the International Contemporary Ensemble at Carnegie Hall on January 30\, 2025. \nWe invite you to join us for this exciting evening in the Segal Theatre at the Graduate Center from 6pm-8pm. This event is free and open to the public. \n  \nPC Maurice Weiss \nGeorge Lewis is an American composer\, musicologist and trombonist. He is Professor of Music at Columbia University and Area Chair in Composition. He is a member of the Association for the Advancement of Creative Musicians\, a Fellow of the American Academy of Arts and Sciences and the American Academy of Arts and Letters\, and a Corresponding Fellow of the British Academy\, as well as a member of the Akademie der Künste Berlin. Further honors include the Doris Duke Artist Award\, a MacArthur Fellowship\, and a Guggenheim Fellowship (2015). He is the author of A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press)\, and is regarded as a pioneer in the creation of improvising computer programs.  Lewis holds honorary doctorates from the University of Edinburgh\, Harvard University\, and the University of Pennsylvania\, among others. (https://music.columbia.edu/bios/george-e-lewis). \n  \n  \nAdam Shatz is the U.S. Editor of the London Review of Books. He is the author of the acclaimed biography\, The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon. Shatz is also an expert on jazz and is currently at work on a book about jazz.
URL:https://artscienceconnect.gc.cuny.edu/event/an-evening-with-george-lewis/
LOCATION:Segal Theater\, CUNY Graduate Center\, 365 5th Ave\, New York\, NY\, 10016\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240913T180000
DTEND;TZID=UTC:20240913T200000
DTSTAMP:20240911T151500Z
CREATED:20240911T151500Z
LAST-MODIFIED:20240911T151500Z
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SUMMARY:Conversation between artist Oliver Ressler and Professor Ashley Dawson
DESCRIPTION:Join the James Gallery for Art & Collaborative Inquiry\, CUNY Graduate Center\, for a conversation between the renowned artist and social movements researcher Oliver Ressler and CUNY Professor Ashley Dawson on September 13\, 2024 @6pm. RSVP for the talk here. \nJames Gallery for Art & Collaborative Inquiry\, CUNY Graduate Center\, presents a collection of films and graphic works of Oliver Ressler\, the renowned artist and social movements researcher\, in his first-ever solo exhibition in New York; on exhibition Sept. 12-Nov. 1 \nSince 2008\, Austria-based Oliver Ressler has dedicated his art to exploring diverse activist approaches in response to the climate crisis that has pushed our world to the precipice of multiple catastrophic “tipping points.” These critical thresholds\, once crossed\, unleash colossal and often irreversible changes within our climate system. Climate activists around the world confront corporations producing fossil fuel\, while demanding more action from their governments to curb carbon emissions. Ranging from poetic to documentary\, and often interventionist representations\, Ressler’s works focus on communities and activist groups in Austria\, Germany\, Spain\, and Ecuador\, who resist construction projects and mining operation that cause destruction of natural forests\, ancestral land\, and water. \nIn many of his films\, Ressler documents the assemblies and working group meetings of global climate activists – a mix that includes artists and poets. These dynamic gatherings serve as crucibles of discussion\, where the participants deliberate on the methods and objectives that will guide their collective struggle for a future that transcends mere survival. “Barricade Cultures for the Future” and “Overturn the Present\, Barricade the Future\,” presented in the exhibition\, feature activists with a background as artists and cultural workers questioning the widespread habit of treating “art” and “activism” as separate categories\, when in practice\, they often overlap and influence each other. \nRessler’s graphic works passionately advocate for immediate action. In the series of drawings titled “Contours of the Coming World\,” presented in the exhibition\, the artist intertwines his visionary depictions of everyday activities aimed at safeguarding the environment with the practices he has witnessed and actively engaged in alongside activists from around the globe. These illustrations serve as a bridge between his imaginative insights and the tangible realities of environmental activism. \nFor more information please see A Life Worth Surviving For. \nA Life Worth Surviving For is organized by independent curator Olga Kopenkina \nJames Gallery for Art & Collaborative Inquiry Curator/Head: Katherine Carl \nExhibition Installation Production: LanningSmith \nThis exhibition made possible in part with support from the Austrian Cultural Forum. With thanks to SPCUNY and Earth and Environmental Studies Program\, CUNY Graduate Center.
URL:https://artscienceconnect.gc.cuny.edu/event/conversation-between-artist-oliver-ressler-and-professor-ashley-dawson/
LOCATION:James Gallery\, CUNY Graduate Center\, 365 5th Ave\, New York\, NY\, 10016\, United States
ATTACH;FMTTYPE=image/png:https://artscienceconnect.gc.cuny.edu/files/2024/09/Screenshot-2024-09-11-at-11.14.11 AM.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240926T180000
DTEND;TZID=UTC:20240926T200000
DTSTAMP:20240923T153925Z
CREATED:20240923T153925Z
LAST-MODIFIED:20240923T153925Z
UID:1528-1727373600-1727380800@artscienceconnect.gc.cuny.edu
SUMMARY:Before...After: A Two Part Exhibition by Elva Mulchrone
DESCRIPTION:Please join Urban Education\, Theatre\, and the Graduate Center on September 26 from 6-8pm for the first part of an exhibition\, Before\, by Elva Mulchrone. The exhibition’s second part\, After\, will open on November 20. More information on the event and scheduling can be found here. \nThrough paper\, wood\, canvas\, linen\, and video Mulchrone’s pieces\, explore medium and color and feature disconnected and obstructed mapping\, which allude to both personal narratives and photographs made by children who face social immobility and inequality from multiple perspectives. She will speak about how her work is inspired by research and produced during her Dublin City Council Incubation Space Award in 2024\, and whilst she was Artist in Residence at Dublin City University 2022/23. \nThis event is free and open to the public. \n  \n  \n 
URL:https://artscienceconnect.gc.cuny.edu/event/before-after-a-two-part-exhibition-by-elva-mulchrone/
LOCATION:Graduate Center Room 4201\, 365 5th Ave\, New York\, United States
ATTACH;FMTTYPE=image/jpeg:https://artscienceconnect.gc.cuny.edu/files/2024/09/before-after-two-part-exhibition-2130x1200-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241015T060000
DTEND;TZID=UTC:20241015T190000
DTSTAMP:20241009T150432Z
CREATED:20241009T150432Z
LAST-MODIFIED:20241009T150432Z
UID:1539-1728972000-1729018800@artscienceconnect.gc.cuny.edu
SUMMARY:The Art of Activism and the Activism of Art
DESCRIPTION:Please join Gregory Sholette\, Ph.D. and Jennifer Jones for a discussion about the role of art in political and social movements and how art can function as a site of resistance and a tool for societal change. This conversation will explore some of the themes of his most recent book\, “The Art of Activism and the Activism of Art” such as the concept of “dark matter” in the art world\, the dynamics between institutionalized art and grassroots activism\, and the evolving role of artists in contemporary social struggles. \nDr. Gregory Sholette is a New York-based artist\, writer\, activist and teacher\, as well as a co-founder of the art collectives Political Art Documentation/Distribution (PAD/D: 1980-1988)\, REPOhistory (1989-2000)\, and Gulf Labor Coalition (2010-). Sholette’s books include The Art of Activism and the Activism of Art\, Dark Matter: Art and Politics in the Age of Enterprise Culture\, and Delirium and Resistance: Art Activism and the Crisis of Capitalism. He is a co-director with Chloë Bass of Social Practice City University of New York (SPCUNY) and Affiliated Faculty with the Earth and Environmental Sciences Program at the CUNY Graduate Center. \nBlog: https://gregorysholette.substack.com/ \nThis event is the third in a series of public conversations on embodied artistic research organized by Andrew W. Mellon Foundation James Gallery Fellow Jennifer Jones (Ph.D. Program in Art History). Prior conversations were with Deborah Thomas and Black Gotham Experience. \nA Collaboration of the James Gallery and SPCUNY. Made possible with support from the Andrew W. Mellon Foundation. \nThe event is free and open to the public. More information can be found here.
URL:https://artscienceconnect.gc.cuny.edu/event/the-art-of-activism-and-the-activism-of-art/
LOCATION:James Gallery\, CUNY Graduate Center\, 365 5th Ave\, New York\, NY\, 10016\, United States
ATTACH;FMTTYPE=image/png:https://artscienceconnect.gc.cuny.edu/files/2024/10/Screenshot-2024-10-09-at-10.47.33-AM.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20241029
DTEND;VALUE=DATE:20241031
DTSTAMP:20250224T181549Z
CREATED:20241009T154913Z
LAST-MODIFIED:20250224T181549Z
UID:1536-1730160000-1730332799@artscienceconnect.gc.cuny.edu
SUMMARY:Symposium: How AI is Changing Art and the Humanities\, and To What Ends
DESCRIPTION:AI Symposium Youtube Playlist \n\n\nClick here for full schedule of panels \nArt Science Connect presents a two-day interdisciplinary symposium “How AI is Changing Art and the Humanities\, and To What Ends” at the CUNY Graduate Center to explore recent developments and uses of AI. \nGenerative AI is at the forefront of emerging artificial intelligence technologies that are rapidly transforming art\, the humanities\, and cultural economies worldwide. It is fundamentally changing how we write\, research\, and teach\, and what it means to be creative. Yet we know little about where this might lead us. The CUNY Graduate Center will present an interdisciplinary symposium to explore recent developments and uses of AI. The two-day symposium will present a range of topics that address the ethical and political considerations around AI\, creative collaborations between humans and AI\, the early history of “machines with intelligence\,” and AI’s biases and applications. \nSymposium participants include scholars who are specialists in AI aesthetics and the history of machine learning\, multi-media artists and computational researchers experimenting with AI. \n  \n  \nAI and Technology in the Arts: A panel discussion on interactions and emerging dialogues between AI\, technology\, and the arts. Organized by CUNY Academy for the Humanities and Sciences on November 21\, 2024 \n\n  \nIf you enjoy ASC’s events and like what we do\, please make a donation to help us keep our program running and our events free.
URL:https://artscienceconnect.gc.cuny.edu/event/symposium-how-ai-is-changing-art-and-the-humanities-and-to-what-ends/
LOCATION:The Skylight Room (9100) and Elebash Recital Hall\, The Graduate Center\, CUNY\, 365 5th Avenue\, New York\, NY\, 10016\, United States
ATTACH;FMTTYPE=image/png:https://artscienceconnect.gc.cuny.edu/files/2024/10/AI-conference-image.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250326
DTEND;VALUE=DATE:20250330
DTSTAMP:20260321T185237Z
CREATED:20250219T161023Z
LAST-MODIFIED:20260321T185237Z
UID:1559-1742947200-1743292799@artscienceconnect.gc.cuny.edu
SUMMARY:overdrive3
DESCRIPTION:overdrive3 — Festival for Experimental Electronic Music and Multimedia Art\n\n\n\n\nFounded in 2024 by Itzá García and Tobias Fandel as a concert and exhibition event in Midtown Manhattan\, overdrive aims to bring artistic practices into contact with contemporary and cutting-edge media technologies\, challenging the established boundaries of artistic disciplines.\n\n\n\n  \n\n\nThe inaugural edition of the festival presented multichannel electroacoustic compositions\, interactive performances\, and ensembles with live electronics\, alongside video artworks\, sculptural and sonic installations. \n\n\n\n\n  \n\n\nOverdrive seeks to enrich the international community of artists and creative researchers and to redefine the possibilities at the intersection of electronic sound and visual media. \n\n\n\nFor more info: https://overdrive.nyc/\n\n\nMarch 26th\, 2025\nopening reception\nElebash Recital Hall Lobby\, The Graduate Center\n365 5th Ave\, New York\, NY\n7:00 PM\n\nMarch 26th\, 2025\nconcert with piano and electronics\nElebash Recital Hall\, The Graduate Center\n365 5th Ave\, New York\, NY\n7:30 PM\n\nMarch 27th\, 2025\nartist talk\nJames Gallery\n365 5th Ave\, New York\, NY\n5:30 PM\n\nMarch 27th\, 2025\nconcert with flute and electronics\nElebash Recital Hall\, The Graduate Center\n365 5th Ave\, New York\, NY\n7:30 PM\n\nMarch 28th\, 2025\nconcert\nElebash Recital Hall\, The Graduate Center\n365 5th Ave\, New York\, NY\n2:00 PM\n\nMarch 28th\, 2025\nconcert\nElebash Recital Hall\, The Graduate Center\n365 5th Ave\, New York\, NY\n7:30 PM\n\nMarch 29th\, 2025\nconcert with octophonic loudspeaker array\nSilver Center for Arts and Sciences\, NYU\n31 Washington Pl\, New York\, NY\n6:00 PM\n\n\nAll events are free and open to the public.
URL:https://artscienceconnect.gc.cuny.edu/event/overdrive-festival-for-experimental-electronic-music-and-multimedia-art/
LOCATION:CUNY Graduate Center and Silver Center for Arts and Sciences NYU
ATTACH;FMTTYPE=image/png:https://artscienceconnect.gc.cuny.edu/files/2025/02/overdrive-logo-ASC4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260407
DTEND;VALUE=DATE:20260409
DTSTAMP:20260325T054440Z
CREATED:20260323T213515Z
LAST-MODIFIED:20260325T054440Z
UID:1626-1775520000-1775692799@artscienceconnect.gc.cuny.edu
SUMMARY:Conference: Voicing Innocence
DESCRIPTION:Voicing Innocence: Trauma\, Memory\, and Contemporary Opera in the Work of Kaija Saariaho \n\nVoicing Innocence is an international public conference that explores how music and sound give voice to trauma\, vulnerability\, and ethical responsibility in contemporary culture. It brings together scholars\, composers\, performers\, and cultural thinkers for lectures\, panel discussions\, and performances designed for both specialist and general audiences. The conference takes its point of departure from the Metropolitan Opera’s premiere of Kaija Saariaho’s Innocence on April 6. Building on the artistic and ethical concerns raised by this landmark work\, Voicing Innocence expands the conversation to broader historical\, social\, and aesthetic contexts. Themes include childhood and loss\, collective trauma\, justice\, memory\, and the ways music mediates moral experience. Central to the conference is the participation of Scandinavian artists and scholars\, whose work has been instrumental in shaping contemporary discourse around these themes. Participants will contribute perspectives rooted in composition\, performance\, musicology\, and cultural analysis\, situating Kaija Saariaho’s artistic work within an international framework of exchange. As a public project\, Voicing Innocence emphasizes accessibility and engagement beyond the academy. \n  \n\n  Register for Voicing Innocence\n\n \nVoicing Innocence Poster \nThe conference is hosted by the Barry S. Brook Center for Music Research and Documentation in collaboration with the Art and Science Connect Initiative and the Overdrive Festival. \nAll events will be open to the public and documented through recordings and digital materials for wider dissemination. \n 
URL:https://artscienceconnect.gc.cuny.edu/event/conference-voicing-innocence/
LOCATION:The Skylight Room (9100) and Elebash Recital Hall\, The Graduate Center\, CUNY\, 365 5th Avenue\, New York\, NY\, 10016\, United States
ATTACH;FMTTYPE=image/jpeg:https://artscienceconnect.gc.cuny.edu/files/2026/03/BrookCenter3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260408
DTEND;VALUE=DATE:20260418
DTSTAMP:20260321T200133Z
CREATED:20260321T182945Z
LAST-MODIFIED:20260321T200133Z
UID:1596-1775606400-1776470399@artscienceconnect.gc.cuny.edu
SUMMARY:overdrive|5
DESCRIPTION:overdrive|5 — Festival for Experimental Electronic Music and Multimedia Art\n\n\n\n\nFounded in 2024 by Itzá García and Tobias Fandel as a concert and exhibition event in Midtown Manhattan\, overdrive aims to bring artistic practices into contact with contemporary and cutting-edge media technologies\, challenging the established boundaries of artistic disciplines.\n\n\n  \n\n\nThis year’s Spring edition features a concert dedicated to works with electronics by Finnish composer Kaija Saariaho\, co-hosted with the Barry S. Brook Center and presented in collaboration with the conference “Voicing Innocence.” It also features three ensembles from the New York City scene committed to technologically demanding\, cross-disciplinary experimentation: [Switch~ Ensemble]\, PinkNoise Ensemble\, and Noise Catalogue. \n\n\nFor more information: https://overdrive.nyc/ \nAll events are free and open to the public. \nApril 8th\, 2026\nOpening Concert: Saariaho with Electronics\nwith Tuija Hakkila\, Olga Heikkilä\, Joann Whang\, and Hannah Collins\nHosted in collaboration with the Barry S. Brook Center\nElebash Recital Hall\, The Graduate Center\n365 5th Ave\, New York\, NY\n6:30 PM\n  \nApril 8th–14th\, 2026\nExhibition: Fine Art and New Media\nElebash Recital Hall Lobby\, The Graduate Center\n365 5th Ave\, New York\, NY\n  \nApril 9th\, 2026\nConcert: [Switch~ Ensemble] I\nwith Grant Beale\, Louis Goldford\, and Teté Leguía\nElebash Recital Hall\, The Graduate Center\n365 5th Ave\, New York\, NY\n7:30 PM\n  \nApril 10th\, 2026\nConcert: [Switch~ Ensemble] II\nwith Jason Thorpe Buchanan & Christopher Chandler\, Itzá García\,\nKitty Xiao\, and Tobias Fandel\nElebash Recital Hall\, The Graduate Center\n365 5th Ave\, New York\, NY\n7:30 PM\n  \nApril 11th\, 2026\nConcert with PinkNoise Ensemble\nwith Michael Beil\, Cathy van Eck\, Kanzler & Uesaka\, and Itzá García\nElebash Recital Hall\, The Graduate Center\n365 5th Ave\, New York\, NY\n3:30 PM\n  \nApril 14th\, 2026\nExhibition Closing with Reception\nElebash Recital Hall Lobby\, The Graduate Center\n365 5th Ave\, New York\, NY\n6:30 PM\n  \nApril 14th\, 2026\nConcert & Screening\nwith Janet Biggs\, Noise Catalogue\, and Tobias Fandel\nElebash Recital Hall\, The Graduate Center\n365 5th Ave\, New York\, NY\n7:30 PM\n  \nApril 15th\, 2026\nConcert: Live Electronics\nwith winners of the call\nSkylight Room\, The Graduate Center\n365 5th Ave\, New York\, NY\n7:30 PM\n  \nApril 17th\, 2026\nConcert: Live Electronics with Percussion\nwith winners of the call\nPresented in collaboration with Sō Laboratories\nSō Percussion Space\n20 Grand Ave #205\, Brooklyn\, NY\n7:30 PM
URL:https://artscienceconnect.gc.cuny.edu/event/overdrive5/
LOCATION:Elebash Recital Hall\, 365 5th Ave\, New York\, NY\, 10016\, United States
ATTACH;FMTTYPE=image/png:https://artscienceconnect.gc.cuny.edu/files/2026/03/overdrive-logo-ASC3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20260408T183000
DTEND;TZID=America/Halifax:20260408T193000
DTSTAMP:20260324T020205Z
CREATED:20260323T220134Z
LAST-MODIFIED:20260324T020205Z
UID:1621-1775673000-1775676600@artscienceconnect.gc.cuny.edu
SUMMARY:Concert: Saariaho with Electronics
DESCRIPTION:overdrive|5 – Saariaho with Electronics \n\nThis concert is dedicated to chamber music with electronics by the Finnish composer Kaija Saariaho. It will serve as the closing concert of the conference Voicing Innocence\, presented by the Barry S. Brook Center for Music Research and Documentation\, and as the opening concert of the fifth edition of the Overdrive Festival for Experimental Electronic Music and Multimedia Art. \nProgram\nLonh (1996)\nFall (version for harpsichord\, 1995)\nJardin secret I (1984)\nJardin secret II (1986)\nPetals (1988)\nIm Traume (1980) \nTuija Hakkila | harpsichord\, piano\nJoann Whang | violoncello\nHannah Collins | violoncello\nOlga Heikkilä | soprano\noverdrive|5 concert poster featuring Kaija Saariaho working in IRCAM’s Studio 8\, 1982. \nThe concert is hosted by the Overdrive Festival and the Art and Science Connect Initiative\, in collaboration with the Barry S. Brook Center for Music Research and Documentation. \nThe event is free and open to the public.
URL:https://artscienceconnect.gc.cuny.edu/event/concert-saariaho-with-electronics/
LOCATION:Elebash Recital Hall\, 365 5th Ave\, New York\, NY\, 10016\, United States
ATTACH;FMTTYPE=image/png:https://artscienceconnect.gc.cuny.edu/files/2026/03/SaariahoConcert2.png
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